isc logo

ART 9, ART 10 and HS ART COURSE INFORMATION

INSTRUCTOR: Ms. Shelley Deck; B.Ed., B.A.

www.shelleydeck.com

 

 

art room

 

 

 

 

 

MAIN PAGE

SHELLEY'S TEACHER PORTFOLIO MAIN PAGE

A Century of Modern Art Questions (Parts 1-10)

A Century of Modern Art Answers (Parts 1 - 10)

Email: shelley@shelleydeck.com

art room outside

 

 

 

PLEASE NOTE:  This course outline is tentative and currently under reconstruction. 

Objectives

  • To develop skilled, intelligent and articulate consumers/creators of visual images;
  • To acquire skills/awareness of artistic preferences, processes, philosophies and production values as they relate to art education;
  • To impart a introductory knowledge of the terminology and history of ideas as evidenced in art;
  • To increase the students’ ability to grow ideas and improve decision making skills;
  • To impart an enhanced understanding of the interconnectivity of art, society and personal development in each individuals experience with visual images.

Proposed Units of Instruction:

Section 1:

Artistic Skills & Knowledge

grid drawing

MORE INFORMATION FROM MS. DECK'S CLASS:

 

 

Blind contour drawing information

Gesture drawing information

More Gesture Information!

Drawing portraits

Figure drawing exercise

Excellent Watercolor Painting Resource

 

Beginner-Intermediate-Advanced 2-D

  1. Pencil Grid Project Self Evaluation
  2. How to Mix Colors reading
  3. Color Pencil Grid Project Self Evaluation
  4. Chalk or Oil Pastel Project
  5. Ink Studies Project and Peer Evaluation Form
  6. Color Theory & Watercolor Study
  7. Color Theory Assignment
  8. Printmaking Project

 

Portfolio Review Components:

Each of the projects to the left are given a value of 100 possible points.

   

 

Section 2:

Art in Society & The History of Ideas

plastelina

Beginner-Intermediate-Advanced 3-D & Art History

  1. A Century of Modern Art Questions (Parts 1-10)

    A Century of Modern Art Answers (Parts 1 - 10)

  2. Art History Essay Project
  3. Art History Essay Project Evaluation Form
  4. Feldman & Critical Analysis: artwork critique form
  5. Slide Identification Quiz Prep
  6. Art History Test 1
  7. Art History Test 2

 

Portfolio Review Components:

Each of the projects to the left are given a value of 100 possible points.

   

 

Section 3 and 4:

Art & Personal Development

Beginner- Intermediate-Advanced Artistic Research & Studio Practices

  1. Bookmaking/Altered Art Project
  2. Bookmaking/Altered Art Pre-Evaluation
  3. Multiples Project
  4. Multiples Artist Statement & Exhibit
  5. Conceptual Self Portrait (CSP) Final Project
  6. Dream Home Project
  7. Environmental Art/Andy Goldsworthy Project
  8. Word Art/Jenny Holzer Project
  9. Final Exam

 

Portfolio Review Components:

Each of the projects to the left are given a value of 100 possible points.

 

Final Report

TOTAL

 

Course Materials:

  •   Mark making/manipulating/imaging tools (various - some are supplied)
  •   Notebook
  •   “Sketchbook”
  •   “Portfolio
  •   Image bank (start collecting visual images of interest)
  •   Miscellaneous TBA (i.e. Personal cameras are not required, but if you do have access to one that you like using…do it!)
  • I seriously believe that one can not buy talent, so...keep that in mind when you are wanting expensive art materials. This course should not cost you a lot of money...if you are resourceful, creative and think outside traditional art media possibilities.

 

Structure:

Art 9, Art 10 and HS Art programs differ significantly in the amount of time each student is expected to contribute to their development in/out of class.  One of the wonderful qualities about Art Education is that it heartily expects students to build upon their current levels of artistic growth and integrity through the ’snowball’ effect (unlike, for instance, Mathematics/Music…where one must have an understanding of foundational elements before continued/advanced learning may occur).  For this reason, a great deal of emphasis is placed on art student engagement with artistic processes and products.  In short, for this class, students are advised that it is those people who do things - and actively pursue interconnectivity - who best succeed in this course…and learn.  An attitude that accepts risk taking, experimentation, engagement and tenacity in personal growth is not an option for those involved in quality Art Education learning processes.   Our environment is a safe space for experimentation and product failure where mutual respect between all parties involved is expected.  However, laziness/disconnection/quitting is an entirely unacceptable practice.  Students are encouraged to enter this class with an open mind. 

Evaluation:

Various evaluation strategies will be employed throughout the course of the experience - as necessary - as a means to bring about the highest degree of learning possible for each individual.  For example:  rubrics, group critiques, peer critiques, teacher-student individual education planning, oral and written quizzes, journal writing and responses, brainstorming assignments, external examinations… every moment counts!

In my evaluation process, emphasis is also placed on the idea that the individual student is in competion with themselves for grades and not other classmates. Personal goal setting and the pursuit of personal excellence will be discussed frequently.

Additional Notes:

HOMEWORK IS NOT AN OPTION.  IT IS A LABOUR OF LOVE AND AN OPPORTUNITY FOR YOU TO RESEARCH/RECORD THOSE THINGS YOU FEEL AESTHETICALLY PASSIONATE ABOUT AT THE PRESENT TIME.

EACH CLASS IS EXPECTED TO HELP DEVELOP THE UNIT STUDY TIME LINES WITH THE INSTRUCTOR.

 

FISH MODELS FOR DRAWINGINDIVIDUAL ASSIGNMENT INFORMATION

 

ARTISTIC SKILLS & KNOWLEDGE (2-D)

ART IN SOCIETY & THE HISTORY OF IDEAS (3-D)

ART & PERSONAL DEVELOPMENT (RESEARCH & ARTISTIC IDENTITY)

 

RETURN TO TOP OF PAGE